TRANSITION FROM KALI YUGA TO SATHYA YUGA

DISCIPLINE THAT SEEKS TO UNIFY THE SEVERAL EMPIRICAL INVESTIGATIONS OF HUMAN NATURE IN AN EFFORT TO UNDERSTAND INDIVIDUALS AS BOTH CREATURES OF THEIR ENVIRONMENT AND CREATORS OF THEIR OWN VALUES


THE WORLD ALWAYS INVISIBLY AND DANGEROUSLY REVOLVES AROUND PHILOSOPHERS

THE USE OF KNOWLEDGE IS POWER

OLDER IS THE PLEASURE IN THE HERD THAN THE PLEASURE IN THE EGO: AND AS LONG AS THE GOOD CONSCIENCE IS FOR THE HERD, THE BAD CONSCIENCE ONLY SAITH: EGO.

VERILY, THE CRAFTY EGO, THE LOVELESS ONE, THAT SEEKETH ITS ADVANTAGE IN THE ADVANTAGE OF MANY — IT IS NOT THE ORIGIN OF THE HERD, BUT ITS RUIN.

LOVING ONES, WAS IT ALWAYS, AND CREATING ONES, THAT CREATED GOOD AND BAD. FIRE OF LOVE GLOWETH IN THE NAMES OF ALL THE VIRTUES, AND FIRE OF WRATH.

METAMATRIX - BEYOND DECEPTION

Search This Blog

12 July 2010

A Musical Message Discovered In Plato's Works

'It sounds like something out of a Dan Brown novel, but a scholar in Manchester, England, claims to have found hidden code in the ancient writings of Plato. If true, the secret messages would have made the ancient philosopher and mathematician a heretic in his day.
Jay Kennedy tells NPR's Guy Raz that his discovery was partially luck. Looking at Plato's works in their original scroll form, he noticed that every 12 lines there was a passage that discussed music. "The regularity of that pattern was supposed to be noticed by Plato's readers," Kennedy says. Music in ancient Greece was based on a 12-note scale, unlike the eight-note scale of modern Western music. Kennedy posits that Plato deliberately inserted discussions of music every 12 lines to send a secret, musical message.'

No comments: