Back in 1995, a document titled "Owning the Weather in 2025" was submitted to the director of the United States Air Force, under a disguised notion that it was a fictional report and was not intended to be applied to real-life scenarios. The document was a detailed research analysis paper which described the potential of developing aerospace technologies, and more importantly, how they might best be used to harness, control and manipulate the natural forces of weather on this planet. The technologies and capabilities described in this report have now become a reality, and have been documented all over the world. The "Space Preservation Act of 2001" was introduced on the floor of the House of Representatives by Dennis Kucinich and was an attempt to legislate the use of certain types of advanced weaponry, and not surprisingly, did not pass. Although Kucinich is just another gear in the NWO mechanism, the first-draft edition of this bill contains some very startling admissions to the types of weaponry the United States Air Force has been developing since the end of WWII, including such categories of weaponry as "biological", "electromagnetic", "tectonic", and most disturbingly, "chemtrails." This film attempts to show that chemtrails are not a hoax, they are real, and they are part of an international conspiracy aimed not only at controlling the elements, but also at ascribing this new technology immediately to war-fighting applications. The 2nd Cold War has arrived here in the 21st century, and it will now be a race for total technological dominance of Earth's atmosphere. All chemtrail documentation in the this film was shot by me in the skies of South-Eastern New York and Western Connecticut between December ' 06 and March ' 07. This film contains unlicensed footage from NBC, Sr. Rosalie Bertell, Clifford E. Carnicom, and Walt Disney. It also features the musical stylings of Apocalyptica, Beethoven, Bob Dylan, Dieselboy, DJ Darkfada, The Suicide Machines and Blind Willie Johnson.
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29 June 2009
Owning the Weather - The secret agenda of atmospheric manipulation
Back in 1995, a document titled "Owning the Weather in 2025" was submitted to the director of the United States Air Force, under a disguised notion that it was a fictional report and was not intended to be applied to real-life scenarios. The document was a detailed research analysis paper which described the potential of developing aerospace technologies, and more importantly, how they might best be used to harness, control and manipulate the natural forces of weather on this planet. The technologies and capabilities described in this report have now become a reality, and have been documented all over the world. The "Space Preservation Act of 2001" was introduced on the floor of the House of Representatives by Dennis Kucinich and was an attempt to legislate the use of certain types of advanced weaponry, and not surprisingly, did not pass. Although Kucinich is just another gear in the NWO mechanism, the first-draft edition of this bill contains some very startling admissions to the types of weaponry the United States Air Force has been developing since the end of WWII, including such categories of weaponry as "biological", "electromagnetic", "tectonic", and most disturbingly, "chemtrails." This film attempts to show that chemtrails are not a hoax, they are real, and they are part of an international conspiracy aimed not only at controlling the elements, but also at ascribing this new technology immediately to war-fighting applications. The 2nd Cold War has arrived here in the 21st century, and it will now be a race for total technological dominance of Earth's atmosphere. All chemtrail documentation in the this film was shot by me in the skies of South-Eastern New York and Western Connecticut between December ' 06 and March ' 07. This film contains unlicensed footage from NBC, Sr. Rosalie Bertell, Clifford E. Carnicom, and Walt Disney. It also features the musical stylings of Apocalyptica, Beethoven, Bob Dylan, Dieselboy, DJ Darkfada, The Suicide Machines and Blind Willie Johnson.
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