TRANSITION FROM KALI YUGA TO SATHYA YUGA

DISCIPLINE THAT SEEKS TO UNIFY THE SEVERAL EMPIRICAL INVESTIGATIONS OF HUMAN NATURE IN AN EFFORT TO UNDERSTAND INDIVIDUALS AS BOTH CREATURES OF THEIR ENVIRONMENT AND CREATORS OF THEIR OWN VALUES

THE WORLD ALWAYS INVISIBLY AND DANGEROUSLY REVOLVES AROUND PHILOSOPHERS

THE USE OF KNOWLEDGE IS POWER

OLDER IS THE PLEASURE IN THE HERD THAN THE PLEASURE IN THE EGO: AND AS LONG AS THE GOOD CONSCIENCE IS FOR THE HERD, THE BAD CONSCIENCE ONLY SAITH: EGO.

VERILY, THE CRAFTY EGO, THE LOVELESS ONE, THAT SEEKETH ITS ADVANTAGE IN THE ADVANTAGE OF MANY — IT IS NOT THE ORIGIN OF THE HERD, BUT ITS RUIN.

LOVING ONES, WAS IT ALWAYS, AND CREATING ONES, THAT CREATED GOOD AND BAD. FIRE OF LOVE GLOWETH IN THE NAMES OF ALL THE VIRTUES, AND FIRE OF WRATH.

METAMATRIX - BEYOND DECEPTION

30 July 2011

Masonic Symbolism Behind Norway Shooter

'In Freemasonry, colors have meaning:
"The assigning of symbolic meanings to colors is probably as old as symbolism itself. To cite but one set of examples from the practices of an ancient people: The Egyptians, those ancient masters of symbolism to whom the investigator of the symbols used in Masonry first looks for explanations of those symbols, made use of colors in their hieroglyphics to convey certain definite ideas, each color being expressive of certain conceptions. Hieroglyphs of the spirits of the dead were characterized by white. Men were marked out by having their flesh red, while the flesh of the women was yellow.

Sapphire was the color of the Egyptian god Amon. Green was the color used for the flesh of the god Ptah, founder of the world, the active creative spirit and the divine intelligence, and was also the color used for the flesh of Lunus, the moon. Russet- brown was the color given to the flesh of Thoueri, the concubine of Typhon. And black was the color of Anubis, the god of the dead and of embalming.'

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